| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
 |
|
EVENTS |
|
 |
|
Welcome back to PCDS Review the independent, subscription free trade show news website. For over 25 years we’ve actively used the worldwide web, being one of the first, to convey news and information. In the early years featuring iconic footwear brands providing companies with an effective independent marketing tool we transitioned focusing on the promotion of leading international trade shows and events where companies specializing in the production of Footwear, Bags & Accessories, Eyewear, Materials and Machinery present their services and products to the world’s buyers.
In this second quarter of 2025, when the world is facing the challenges brought about by the USA introducing tariffs leading to a trade war with China, who knows what the outcome will be? What will the impact be on business and ultimately consumers worldwide? How will China, Europe and countries like that of the UK respond? For sure there are difficult times ahead, keeping the channels of communication alive whilst respecting the needs of individual countries is without doubt a priority, if some sensible balance between nations is to be achieved and recession avoided.
Trade fairs are important, finding new markets/customers will be matter of survival for many businesses and PCDS Review is focused and positive about keeping you informed and connected.
Phil Clark Editor 06.05.25 (Original text not AI generated!)
|
| NEWS |
 |
| RESULTS: A Record-Breaking Sale for Handbags Online |
Paris – From April 15 to 29, Christie’s France hosted the second chapter of Unlocking the Orange Dream as part of the online auction Handbags Online: The Paris Edit, which set a new record for a Handbags Online sale. The auction achieved an outstanding total of €4,359,726, far surpassing its initial estimate of €3–3.9 million. This marks the highest result ever recorded for such a sale in Paris – and across the EMEA region.
Featuring over 280 exceptional bags – predominantly by Hermès, alongside iconic pieces from Chanel, Louis Vuitton, and Dior – as well as the second installment of the European private collection Unlocking the Orange Dream, the sale was a resounding success. An impressive 97% of lots were sold, with 76% achieving prices above their high estimates, and the overall total exceeding the top end of the expected range.
Attracting 806 bidders from 47 countries – a third of whom were first-time buyers – this edition reinforces the growing appeal of rare and iconic pieces, celebrating the boldness, craftsmanship, and refinement of the most esteemed fashion houses. |
Key figures highlight the market’s strong momentum:
- 76% of lots sold above their high estimate
- 97% of lots sold
- 100% sold by value – achieving 113% of the combined low estimate
- 35% new buyers
- 30% new bidders
- 21% new registrants
- 30% of clients were Millennials
- 806 participants from 47 countries
Among the standout results:
- Lot 187: Shiny Black Porosus Crocodile Sellier Kelly Midas 25 with 18k Yellow Gold Hardware & Handle, sold fot €201,600
- Lot 242: Matte Ébène Alligator, Gold Madame, Orange H Swift, Brûlée & Ébène Sombrero, Craie Epsom Leather Day Faubourg Sellier Birkin 20, sold for €176,400
- Lot 171: Matte White Himalaya Niloticus Crocodile Retourné Kelly 25, sold for €163,800
- Lot 8: White Swift Leather & Embroidery Toile de Camp Faubourg Tropical Birkin 35, sold for €88,200
- Lot 76: Rouge de Coeur Porosus Crocodile Birkin 25, sold for €69,300
- Lot 92: A Matte Rose Shocking Alligator Mini Kelly 20 II, sold for €75,600
|
This success confirms the strength of the market and the growing appetite for rare, expertly sourced pieces, within an increasingly international and cross-generational context. Building on this momentum, Christie’s will present Legendary Trunks: A European Private Collection Part II from June 19 to July 1, 2025 – the continuation of the inaugural June 2024 sale, entirely dedicated to exceptional Louis Vuitton trunks from a single collection – the largest ever offered at auction. Further details will be revealed in the coming weeks.
|
Received 07.05.25 Published 08.05.25 |
| NEWS |
 |
ANFAO INAUGURATES "THE LENS OF TIME" IN VENEZIA, AN EXHIBIT THAT NARRATES THE STORY OF EYEWEAR THROUGH ART, DESIGN, AND INNOVATION
7 May – 30 July 2025, Palazzo Flangini, Venezia |
Venezia, 7 May 2025 – “The Lens of Time – The History of Eyewear in Italy” exhibit was inaugurated in the heart of Venezia at Palazzo Flangini. The project was produced and sponsored by ANFAO, curated by Fondazione Museo dell’Occhiale, in collaboration with Fondazione di Venezia and Fondazione M9 – Museo del ’900.
The exhibition is a journey through time, exploring history of eyeglasses – from their Medieval origins through the Industrial Revolution to contemporary design – where it played a starring role in 20th-century Italian pop culture and fashion through cinema, the avant-garde, stylists, and experimentation with shapes. It all unfolds across 12 narrative stages, featuring more than 150 original pieces and never-before-seen materials.
On display are unique eyeglasses from three distinguished Italian collections – the Eyewear Museum of Pieve di Cadore, that of the Vascellari Family, and the Arte del Vedere Collection by Lucio Stramare.
The exhibit also includes a virtual tour of the Pieve di Cadore Museum and an interactive “Timeless Frames” electronic kiosk that allows visitors to virtually try on some of the historical eyeglasses on display and share the images.
Two contemporary works of art by artist Maurizio Paccagnella enhance and complete the museum concept. The first, Trasparenze, is a sculptural piece that draws inspiration from the Cadore mountains – cradle of Italian eyewear – and from the beauty of Murano and Venetian glass, in tribute to the lenses of the earliest spectacles. This installation was crafted using recycled acetate from eyewear production. The second, Sguardonel Tempo, captures the essence of looking through time. Its gently undulating surface – a nod to the Venetian lagoon – reflects the countless gazes of those who have worn glasses throughout history, weaving together the story of humanity with that of eyewear.
“With The Lens of Time, we wanted to stop time – or rather, travel through it – to show how eyeglasses have always been much more than just a functional object. Eyewear has been status symbols, fashion accessories, medical devices, works of art, and witnesses to technological evolution, a reflection of social, cultural, and aesthetic needs. And, above all, they have been, and are, a representation of identity – the identity of regions, of the companies and people who make them, and of the individuals who wear them,” remarked ANFAO President Lorraine Berton.“This project grew out of the desire to create a space to celebrate a product that is one of the most authentic symbols of Made in Italy,” she concluded.
Nicola Belli, Vice-President of ANFAOresponsible for production, innovation and Made in Italy, emphasized that “Made in Italy is one of our defining values and it is crucial that we also convey this through a cultural lens. Each piece on display tells a story of centuries-old craftsmanship, constant innovation, and the kind of unique creativity the world admires. This project also plays a key role in inspiring creativity and awareness among younger generations, helping to build a bridge between industry and emerging talent. That’s why, as part of The Lens of Time, we’ve also partnered with IUAV, the University of Venezia, thanks to support from the Ente Bilaterale Occhialeria. Between June and July, we will host three ‘Wave’ workshops involving 60 students who will work in the areas of technology, sustainability, and sports.We’ll be sharing their ideas at a special event at Palazzo Flangini before the exhibit wraps up.”
Actress and presenter Martina Colombari welcomed guests and hosted the opening ceremony alongside distinguished participants: Deputy Chief of the Cabinet of the Ministry of Enterprises and Made in Italy, Elena Lorenzini and Councilor for Tourism and Economic Development of the City of Venezia, Simone Venturini.
Speaking for Fondazione Museo dell’Occhiale, curator of the exhibit, President Vittorio Tabacchi highlighted that the Museum was established with a precise and deeply felt objective, “to preserve and add value to the historical memory of an object that has transformed our way of seeing – and being seen. Eyeglasses aren’t just optical tools; they are silent witnesses to the evolution of society, thought, and individual identity. Preserving their history means recognizing their cultural, human, and innovative value. Ultimately, telling the story of eyewear means telling the story of each of us. With The Lens of Time, we take this living, engaging narrative beyond the walls of the museum, to show that eyewear is also a visual language, a form of design, and of art. We believe the Museum should be a place of memory, but also a driver of the future.”
Vice-President of Fondazione di Venezia, Carlo Boffi Farsetti, pointed out that “The Lens of Time is the first exhibit to be hosted at Palazzo Flangini, and there could be no better way to inaugurate the Foundation’s new headquarters than with an event like this exhibit – one that honors a truly Italian excellence, particularly tied to the Veneto region, renowned around the world. Today is a memorable day for us because, after extensive renovation, we are finally able to return an architectural landmark to the city in its restored original beauty, and to offer a vibrant space designed to promote cultural and artistic events. This captivating exhibit perfectly illustrates the importance of raising awareness about the eyewear industry – a sector known for its exceptional craftsmanship and production expertise. It’s deeply engaging in how it builds bridges between tradition and experimentation, art and design.”
Elena Lorenzini, Deputy Head of Cabinet at the Ministry of Enterprises and Made in Italy, delivered a message on behalf of Minister Adolfo Urso: “TheLens of Time exhibition is a powerful expression of the identity and mission of the Ministry of Enterprises and Made in Italy. Through its content, it reflects the pillars that guide our work: enterprise, excellence, entrepreneurship, and a production chain deeply rooted in local communities – one that adds value at every stage of the process. As part of the official events for National Made in Italy Day, the exhibition stands as a symbol of a brand, an idea, and a shared dream: to make the unique value of Italian craftsmanship tangible, visible, and globally recognized.”
The closing moment of the inauguration was entrusted to art historian Jacopo Veneziani, who fascinated the audience with a visual journey through the evolution of eyewear in art. “Eyeglasses are not just tools – they are frames of identity, mirrors of time, silent storytellers of who we are. As an everyday object and a powerful cultural symbol, eyewear has fully entered the collective imagination, reflecting social, aesthetic, and intellectual transformations. Today, we took a journey through the history of art and representation to explore how eyewear has taken on ever-changing meanings over the centuries: from symbols of wisdom and introspection in 15th-century portraits, to ironic or provocative elements in contemporary painting, and through 18th-century caricatures and the iconography of modern intellectuals.”
Curators of the exhibit, architect Daniela Zambelli, Director of Fondazione Museo dell’Occhiale, and art historian Alessandra Cusinato, then presented the exhibit itinerary in detail, guiding guests through an exclusive tour of the show.
The Lens of Time is part of the official program for the National Made in Italy Day, sponsored by the Ministry of Enterprises andMade in Italy, and is also included on the calendar of the 2025 Venezia Architecture Biennale.
|
 |
Vittorio Tabacchi, Lorraine Berton, Carlo Boffi Farsetti, Nicola Belli, Martina Colombari |
During the opening ceremony, hosted by Martina Colombari, speakers included:
- Lorraine Berton, ANFAO President
- Nicola Belli, ANFAO Vice President
- Vittorio Tabacchi, President of the Eyewear Museum Foundation
- Elena Lorenzini, Deputy Head of Cabinet of the Ministry of Enterprise and Made in Italy
- Simone Venturini, Councillor for Economic Development and Tourism of the City of Venice
- Jacopo Veneziani, art historian and popularizer, with a special account of eyewear in art
|
Received 07.05.25 Published 08.05.25 |
NEWS
›KAP.ONE‹ |
Following the move from the Areal Böhler to the ›Rheinterrasse Düsseldorf‹ for the new format TWODAYS, Igedo Exhibitions is now announcing a further location, a property in a prominent location with the address Karl-Arnold-Platz 1 (›KAP.ONE‹). Many in the industry still know the property as the address of the showrooms of van Laack and (formerly) Luisa Cerano, among others.
"We were able to rent the currently vacant space on the ground floor and in the basement for a temporary period, literally a win-win-win situation for the landlord, for our customers and for us as organisers," says Philipp Kronen, Managing Partner of Igedo Exhibitions, with a wink.
Ulrike Kähler (Managing Director) adds: "With ›KAP.ONE‹, a second, strong location is being created - ideal for our established Showroom Concept. Parallel to Edition #1 and Edition #2 of TWODAYS, we offer an extended duration to all exhibitors and brands that need more than 3 days in Düsseldorf."
Numerous market participants welcome these exciting developments in Düsseldorf as a fashion location, which signals a new beginning and courage in this difficult phase for the industry. Or, to summarise: everyone is already looking forward to the days in Düsseldorf!
Dates and opening times ›KAP.ONE‹ & ›Rheinterrasse‹:
On Saturday evenings, Igedo Exhibitions invites to a "sundowner" on the outdoor terrace of the ›Rheinterrasse‹ with a view of the Rhine.
TWODAYS Edition #1 |19 – 21 July 2025 together with Neonyt Düsseldorf& Showroom Concept |18 – 21 July 2025, during the Düsseldorf Fashion Days
TWODAYS Edition #2 |23 – 25 August 2025 together with Showroom Concept |22 – 25 August 2025
TWODAYS ›Rheinterrasse Düsseldorf‹
Showroom Concept ›KAP.ONE‹
Friday: 9.30 a.m. – 6.00 p.m.
Saturday: 11.30 a.m. – 6.00 p.m. Saturday: 9.30 a.m. – 6.00 p.m.
Sunday: 9.30 a.m. – 6.00 p.m. Sunday: 9.30 a.m. – 6.00 p.m.
Monday: 9.30 a.m. – 4.00 p.m. Monday: 9.30 a.m. – 4.00 p.m.
Received 15.04.25 Published 24.04.25
|
NEWS
Brazilian footwear companies define target markets for exports |
With the goal of boosting and enhancing Brazilian footwear exports, Brazilian Footwear—the industry’s export promotion program run by Abicalçados in partnership with the Brazilian Trade and Investment Promotion Agency (ApexBrasil)—has defined its priority markets for 2026 and 2027. Following more than an hour of virtual discussions on March 27, representatives from Abicalçados, ApexBrasil, and footwear companies selected the United States, Colombia, Chile, the United Arab Emirates, the United Kingdom, and Japan as top-priority destinations. Saudi Arabia and South Africa were chosen as secondary markets.
According to Letícia Sperb Masselli, Abicalçados’ Business and Relationship Manager, the markets were pre-selected based on both quantitative and qualitative data, which were presented to the companies attending the meeting. “Among the criteria we considered were market size, competition, trade barriers, and consumption potential. The teams at ApexBrasil and Abicalçados created regional rankings and submitted the countries for discussion and a final vote, already backed by qualitative and quantitative scoring,” explained Masselli.
She emphasized that the process is democratic and transparent, aiming to reflect the interests of most companies, regardless of their export maturity—whether they’re just starting out or already well-established in foreign markets. “Latin American markets tend to be more accessible for beginners, due to cultural similarities and geographic proximity. On the other hand, more sophisticated destinations such as Europe and the Middle East are more challenging and better suited for companies with more structured international strategies,” she added.
According to Clara Santos, manager of the Brazilian Footwear project at ApexBrasil, the initiative aims to maintain and expand the industry’s presence in established markets while also exploring high-potential new destinations, especially in Asia and Africa. “The idea is to diversify footwear exports as much as possible, so that internationalization doesn’t become overly dependent on a limited number of markets—and therefore less vulnerable to economic fluctuations,” she noted..
What’s new
Among the highlights for the upcoming two-year cycle are the inclusion of Japan and South Africa (as a secondary market). According to Letícia, Japan was chosen for being a key reference and strategic gateway to the broader Asian market. South Africa, in turn, was selected based on a study conducted by Abicalçados’ Market Intelligence team and will be targeted through buyer and press outreach initiatives.
Challenging moment
The selection of target markets comes at a challenging time for Brazilian footwear exports, amid major shifts in global trade dynamics triggered by the ongoing trade war between the United States and China. Despite the uncertainties, Brazil exported more than 31.5 million pairs of shoes from January to March—an increase of 14% compared to the same period in 2024.
Received 15.04.25 Published 23.04.25
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| MICAM |
|
MIPEL |
|
MIDO |
|
|
|
|
|
|
| FASHION |
|
FOOTWEAR &
ACCESSORIES |
|
|
|
|
|
|
|
|
| MICAM MILANO |
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
 |
|
|
MICAM Milano - 26.02.25
MICAM, MIPEL,
THEONEMILANO,
AND MILANO F
ASHION&JEWELS
CLOSE WITH 40,449
TRADE VISITORS
Read In Full & More
Micam Reports |
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
| BACK |
|
|
|
|
|
|
|
|
|
|
| FASHION |
|
LUGGAGE, BAGS,
BELTS ETC. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| WELLBEING |
|
FRAMES, LENSES &
OPTHALMIC
EQUIPMENT |
|
|
|
|
|
|
|
|
| MIDO |
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
| BACK |
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
EXHIBITION DATES |
| WELLBEING |
|
FASHION |
|
FASHION |
|
MACHINES & TECHNOLOGY |
|
|
|
|
FRAMES, LENSES
&
OPTHALMIC
EQUIPMENT |
|
LUGGAGE, BAGS, BELTS, ETC.
|
|
FOOTWEAR
&
ACCESSORIES |
|
Machines &
Technologies for
Footwear,
Leathergoods
& Tanning Industrries
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The largest international show
held in Milan dedicated to the global eyewear
sector |
|
NOW CLOSED
B2B international exhibition designed for fashion accessories buyers |
|
NOW CLOSED
The landmark event for footwear industry professionals from all over the world |
|
Simac Tanning Tech
is the reference event
for the sector of
machinery and technology
for the footwear,
leather goods and
tanning industries. |
|
|
|
|
| Website |
|
Website |
|
Website |
|
Website |
|
|
|
|
EVENTS |
"Made in Italy" Day
ANFAO are pleased to inform you that, consistently committed to promoting and enhancing the value of Italian eyewear around the globe, ANFAO - Italian Optical Goods Manufacturers’ Association, actively participates in the National “Made in Italy” Day by organizing the exhibit “The Lens of Time – The History of Eyewear in Italy”.
The project is part of a series of initiatives promoted by the Ministry of Enterprises and Made in Italy (MIMIT) for the National “Made in Italy” Day, established to fully appreciate Italy’s creativity and production excellence.
Conceptualized, produced and promoted by ANFAO, with the collaboration of and curated by Fondazione Museo dell’Occhiale, it is divided into three sections: the history of eyewear, contemporary design, and the materials and manufacturing techniques employed, highlighting the central role of Italian craftmanship – and in particular the area of the Belluno district – in the conception and production of eyewear, as a manufacturing excellence which is famous worldwide.
Through more than 100 items, selected from the valuable pieces at the Eyewear Museum of Pieve di Cadore and from two prestigious private collections, the exhibit narrates the evolution of eyewear from its origins in the 13th century to contemporary experimentation. One-of-a-kind pieces, intriguing objects, interactive technologies, artistic installations, historic images, vintage posters and sophisticated details guide visitors along a pathway that interweaves art, science, innovation, fashion and technology.
“The Lens of Time – The History of Eyewear in Italy” pays tribute to Italy’s cultural and productive identity. It is an opportunity to rediscover a cult object that has maintained its relevance across the centuries, transforming itself from a “hidden device” to a symbol of style and creativity, becoming an essential part of everyone’s look.
The public opening is set for 3 pm on 7 May 2025 at Palazzo Flangini, headquarters of Fondazione di Venezia, and ANFAO would be very happy to have PCDS Review readers visit!
Please note that access to the exhibit is free of charge until 30 July 2025
|
 |
| BACK |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| BUSINESS PARTNER NEWS |
| Assocalzaturifici |
|
Assopellettieri |
|
ANFAO |
|
Assomac |
|
|
|
|
| Association of Footwear Producers |
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
 |
|
 |
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Footwear Italy - 27.09.23
THE ITALIAN FOOTWEAR
INDUSTRY: TURNOVER (+7.4%) AND EXPORTS (+10.2% IN VALUE IN THE FIRST 5 MONTHS) GREW IN THE FIRST HALF OF THE YEAR,
BUT THE SLOWDOWN IS
ALREADY UNDERWAY.
PRODUCTION AND EXPORT VOLUME DECLINED
Read In Full & More Micam Reports
|
|
|
|
|
|
|
| Website Homepage |
|
|
|
|
|
|
|
|
|
|
Organiser of Micam
Operator of VCS Certification |
|
|
|
|
|
|
|
|
|
|
| BACK |
|
|
|
|
|
|
|
|
|
|
Association of Leather Goods Producers |
|
|
|
|
|
NATIONAL
ASSOCIATION OF
ITALIAN
MANUFACTURERS OF
FOOTWEAR,
LEATHERGOODS
AND TANNING
TECHNOLOGIES |
|
|
|
|
 |
|
|
|
|
|
 |
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Website Homepage |
|
|
|
|
|
Website Homepage |
|
|
|
|
| Organiser of Mipel |
|
|
|
|
|
|
|
|
|
|
| BACK |
|
|
|
|
|
|
|
|
|
|
Association of Optical
Goods Manufacturers |
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Eyewear 06.02.23
EYEWEAR SHINES
WITH EXPORTS, BUT MUST ACCOUNTAIN
WITH INCREASING COSTS
2022 PRELIMINARY
BALANCE:
PRODUCTION +24%,
EXPORT +22.5%.
1H 2023 FORECAST:
EXPORT +6-8%.
Read In Full & More
ANFAO Reports
|
| Website Homepage |
|
|
|
|
|
|
|
|
|
|
Organiser of Mido |
|
|
|
|
|
|
|
|
|
|
|
| BACK |
|
|
|
|
|
|
|
|
|
|
PCDS - Philip Clark Design Studio publishes the pcdsreview online at www.pcdsreview.com
PCDS Review, 'JO' & 'InFocus' are the Trade Marks and Copyright of PCDS.
PCDS accepts no responsibility for the news, products and services featured or promoted.
We accept no liability for any action that may lead to the infringement of copyright or financial loss. |
| |
|
|
|
|
|
|
|
|
|
|
Copyright © PCDS
2000-2025
pcds last updated 08.05.2025 |
|
|
|
|
|
|
|
|
|
|
|
|
|
